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Poet’s Morning

POET’S MORNING

Sipping early tea
Savouring another’s words
Fresh inspiration
Old farmer ploughs his meadow
Rich tang of freshly turned soil

Another Another

ANOTHER ANOTHER

Reaching out for …
… no response
Left in limbo
Hung out to dry

Fed on assumptions
Clutching at straws
Mighty thin gruel
Sans nourishment

The best? … Insufficient
While not at all sure of
Understanding the rules
(A longstanding habit)

A kindly silver lining
When the smoke clears
When the pain has dulled
A poem lurking in there

Marching Or Hobbling?

MARCHING OR HOBBLING?

Time’s mysterious mysteries
Reveal themselves slowly
And only a bit at a time
Just as shy teen maidens

Poesy, its heralds likewise
Sweet William and daffodils
Shook Shakespeare awake
Romantics now called the shots!

This town today, Cockermouth
Resonates with connections
Largely leapfrogging steam
Safely retaining its fertility

Presently social mediates creation
Advising: seek Like or Comment
Masked insidious cattle prods
Torchbearers disdain and bleed

No past nor future not imaginary
Writer, reader, listener one breath
Caught riding the crest of the wave
In hopes of grasping immanence

Reality Television

REALITY TELEVISION

Creative writers
Drownded deep in surroundings
Every word just right

Me As Esme

ME AS ESME

Meanders Esme
As cloud she says
More like to as planet
A stone(d) throw(n) away
A queenly throne bestowed
From whence at whim descend
As yet unthought, as unlikely
Words plucked betimely
Mischievous bedfellows
Beckoning pause for
Notions embowelled
Beneath the bric-à-brac
Littering the quotidian
Out-the-box conjectures
Jasmin sweet upon the air
Breathe deeply and sigh
Momentous moment
Immortalised, free

~~~~~ ~ ~~~~~

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Born Marking Time

BORN MARKING TIME

Pens stroke paper as
Fingers caress keyboards as
Writers slowly die

Owning Up

OWNING UP

Each of these poems
Is intended to be best
Read aloud … For why?
For I love the sounds

So build each piece
With sound in mind
As well as meaning
Plus any reference

For I love word play
Adore ambivalence
And multiple levels
Of tacit meaning

The writer invites
The reader invents
Becomes co-creator
In passing the time

Ongoing Creation

ONGOING CREATION

Inhabit your life until it creaks, cracks open
Loudly ringing for a change – for transition

Hopefully, dutifully – inspirationally calling
Out to each and every reader passing by

In time words appear … “Beautiful poem.”
You reply: “Thanks for your kind words.”

Poems Lead Poets

POEMS LEAD POETS

This poem as emerged is actually
far more bitter and anguished
than its writer. Or far less …
What the hell. Let’s let it go;
it’s just the way it grew.

The initial germ here sprouted out
from a piece of Sarah’s weeks ago
that somehow caught my interest.
I’d have trouble locating it now;
it’s transmorphed completely.

Laboured at it for hours; it wouldn’t let go.
Clearly it’s determined to have its say.
As for you, happening by readers
looking out for an explanation
dream on, friends, dream on.

Lightly Felt Tips (Republished)

LIGHTLY FELT TIPS

When you learn to distinguish
between what is truly good in poetry
(especially your own)
and what is – shall we say – not so good
then you are almost there.

The rest is just practice, daring,
risk taking and self confidence.
Satisfying yourself is the foundation.
Rules are there to follow or break;
pleasing others a welcome bonus.

So leave the back door wide open
and invite the Musey Lady in for a brew.
She loves to take a load off.
If she’s silent, it’s only ‘cos she’s thinking.
She’s just observing, sipping her tea.

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