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Broken Lines: Shadorma

BROKEN LINES

Here where the
Various varied
Versions of
Me hang out
Swung by to check whether these
Worn tear ducts still work

Not For Nothing

NOT FOR NOTHING

Many years ago now we vowed
That we would never allow loss
(however painful this might be)
To restrict our deeply felt interaction
With any of the music we love

Given that we view music as
A gymnasium for the emotions
It surely follows don’t you know
That if we do not exercise
Our emotions when needed
Or like water, or like blood
They fester and putrefy

Teardrops
Contain both
Water (for cleansing)
And salt (for preservation)

Nature is not called
Mother Nature
For nothing

Redeemed

REDEEMED

First comes forgiveness
After long denying it
Then this too dissolves

Jet Plane Warbirds (Republished)

JET PLANE WARBIRDS

Noisomely loudly
Splitting our quiet skies
Oh when will you return home?

Be gone, fey daughters of mad Zeus
Be done with twirling your bloody fingers
Fondling their hard-won garlands demanded
And then – oh but of course – soon discarded

Gladiators meet, mete out death, make meat
Reborn as gliadioli – erect, sword-shaped
Leaves and spikes of flowers – overblown
In a superfluity of colour, so over fulsome

Be gone, be gone, we beseech thee
Leave us in peace, in peace
In blessed peace

Poo Purée

POO PURÉE

Fundamentalism
And “white supremacy”
They have a pungent scent
Smothering any sense

Parentage

PARENTAGE

We learn
To live
With huge
(Unwelcome)
(Uninvited)
Dollops of ignorance
Mother and father
Mimic dragons
Protecting their odious hoard
Whiffering down the line

Dover Beach

DOVER BEACH – Matthew Arnold (Published 1867)

The sea is calm tonight.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the Ægean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The Sea of Faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.

Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

DOVER BEACH – The Fugs (Released 1967)

Terminal II

TERMINAL II

He does the shopping now
Getting out is too much
But we don’t mention that
At least there are flowers

The new snowdrops are out
As the fresh year spins on
Words like splendour, wonder
Set amongst all this pain

Better Safe Than Sorry

BETTER SAFE THAN SORRY

Wear my heart on my sleeve
Come hell or high water
I’ve learnt over the years
Better to go short sleeved

Backstory

BACKSTORY

She had tattoos, she said
I’d have to pay to see
But then I’m miserly
Rather squeamish besides

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